A Factory of Art
BACK TO THE HUB
Bringing The Story Machine to Life

In our second Story Machine blog from WCN Programme Manager Sam Ruddock, we’re given a sneak preview of the accompanying sculptures, drawings and soundtracks that have been commissioned by talented artists in order to bring the Story Machine to life.

One of the great and unexpected joys of producing The Story Machine has been the other art works we’ve helped bring to life. Illustrations, drawings, sculptures, soundtracks, audio recordings, and more, all commissioned, designed, and developed to help explode the eighteen amazing stories off the page.

/></p> <p>Our first task was to acquire a leg. And not just any leg, either. This leg had to represent the severed limb of a Poet Laureate who has been hung, drawn and quartered and is now being dragged to Scotland as a demonstration of England’s power! Given the illustrious subject matter, a manikin simply wouldn’t suffice. Film prosthetics proved a little lifeless, and not sadly in the way we wanted. We thought about trompe l’oeil painting to see if we could recreate the rotting look on a manikin. But nothing felt quite right.</p> <p>That was until we came upon the work of Martha Todd, a ceramic artist. Although not produced to imitate flesh, there was something in the angles of her feet that gave them a deeply human look. In one, the toes were curled underneath the foot, as though the entire weight of the body was crushing down upon it. In another, the toes were pointed, calling to mind crucifixion or other long-abandoned methods of execution. There was suffering in these sculptures, and something almost painted and metaphorical about their composition. We were enthralled and – after much hard work to source materials so that we could afford this beautiful, troubling limb – commissioned Martha to sculpt it for us. This is the first glimpse of that limb, ghostly white, spectral, shockingly disembodied.</p> <p>Next up, Adam Avery AKA The Suffolk Punch Press, was invited to produce a show poster to help visualise the extravaganza. We wanted to capture both the feel and textures of Dragon Hall, – essentially the canvas we are painting The Story Machine upon – and the sheer multiplicity of stories that are being produced. His response is one you will be familiar with: the wooden beams of the Great Hall adding texture to a series of icons that represent themes across the different stories. There’s a quirky feel to them, a sense that nothing may be quite as it seems. I love it and we’re hoping to have limited edition prints for sale on the day. I’ve already reserved one for me!</p> <p>Elsewhere Beverley Coraldean of Geneality Art came on board to produce pencil drawings to accompany our grand climax to the show: Anna Metcalfe’s transcendent exploration of the power of art to transform the everyday into the universal. I don’t want to give too much away about the story itself, other than to say that it revolves around the pictures that a boy and his father take each year as the last leaf of the plum tree in their garden falls to the ground. Beverley is producing thirty-two new images to accompany the show, and we have plans for them to become something altogether more dramatic in the final crescendo.</p> <p><img decoding=

You may also like...

Top tips for early drafts

Top tips for early drafts with Megan Bradbury

In this article, Megan Bradbury (author of Everyone is Watching) offers five pieces of advice to writers when on the early draft of a project.

Calendar

24th August 2026

Fiction
Learning
Tips and Advice
Read

‘The joy of being unpublished’ by Alex Scarlett

Alex Scarlett provides a candid reflection on the experience of being an unpublished early career writer.

Calendar

20th August 2026

New Writing
Norwich City of Literature
Residencies
Read
castle bavaria worldbuilding in romantic fiction

World building in romantic fiction with Alison May

Romance writer and NCW tutor Alison May shares her thoughts and advice on world building when writing romance, from romantasy to contemporary settings.

Calendar

18th August 2026

Fantasy
Learning
Romantic Fiction
Tips and Advice
Read

Navigation

Support us
Donate More Ways to Support Our Supporters
Environmental Impact
About us
Our team Our Board Jobs & Volunteering
Visit us
Accessibility
Hire Dragon Hall
Contact us Terms & Conditions Privacy Policy
Website designed by Splitpixel

Our Partners

Company Information

© National Centre for Writing, Dragon Hall, 115-123 King Street, Norwich, NR1 1QE

Company Number: 05242876

National Centre for Writing is a registered charity. Our charity number is 1110725

info@nationalcentreforwriting.org.uk
National Centre for Writing | NCW
Powered by  GDPR Cookie Compliance
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.