Ten things to know before starting your romantic fiction project

Owen Nicholls shares his top ten tips for writers stepping into the wonderful world romantic fiction.

Owen Nicholls is a screenwriter and author of romance novels Love, Unscripted and Perfect Timing. Here are ten things to remember before you start writing romance, plus further reading and Owen’s top tip: ‘look for traps’.

Romance writing isn’t easy

If you’re thinking about writing romance because you’ve scanned the sales charts and you know how big romance is – and that anything that sells must be easy – take a step back. Romance writing is just as tough as any other genre. In fact, because of the competition, it might be harder. But it’s incredibly rewarding when it all works. 

 

Can you be mean enough?

People think romance writers must be nice, warm and cuddly. But we’re not. Not as writers, anyway. As writers we need to be mean to our main characters. We need to put them through trials and tribulations, to make the reader believe they’ll never get their happily ever after, so when it comes it’s all the better for it.

 

Compelling versus likeable

You’ll hear a lot of writing advice about making ‘likeable characters’. The problem with this is that likeable characters can be insanely dull. Curious characters are much more interesting. When it comes to romance writing you need to find some equilibrium, after all, you want your reader to want these two to be together by the final page. 

 

The journey must be hard

A romance is an obstacle course, not a sprint. If your main characters are perfect for each other and nothing is stopping them getting together, you’re done! Put your feet up and relax. The only problem is, your novel is less than 20 pages long. Or it has no drama. Either way, you better start making life tough for your awesome twosome if you want us to follow your writing! 

 

Find a world you want to be in

If your story holds firm and you make it to the end, and you’re lucky enough to find a publisher, and you’re given edits – you’ll be with your characters and inside your world for a year or more. Make sure it’s somewhere you want to be for that length of time, otherwise the end will be much harder than it needs to be. 

Top tip: Look for traps

One of my first (and best) writing teachers, Goran Stefonavski, taught the principle of dramatic traps.

He wasn’t focusing simply on romance, but his tools work brilliantly in this genre. He put forward the case that traps of WHO, WHAT, WHY, WHEN & WHERE are invaluable when looking for obstacles for your characters.

WHO – Trap of character 

WHERE – Trap of space

WHEN – Trap of time

WHAT – Trap of action/situation

WHY – Trap of motivation

HOW – Trap of their point of view

TITANIC’S ROSE – She’s trapped by her class (WHO) and the expectation placed upon her (WHEN). She’s also trapped by her impending marriage to a detestable fiancé (WHAT). Later on she becomes literally trapped by the boat’s sinking (WHERE) and her feelings for Jack (WHY). Rose’s entire story is the trap of her point of view (HOW), which Jack helps her escape from. 

Trendspotting

Don’t go chasing trends because you think that’s what the industry wants. From the start of a novel to publication can take years. What publishers want now, isn’t what audiences might want in twenty-four months’ time. Pick a story that you – and you alone – want to tell.

 

Know where you’re going!

Unless you’re having a really bad day, you wouldn’t simply get in your car and just drive. Having a destination is crucial for writing any story. And while romance will – 9 times out of 10 – resolve itself by having your perfect characters end up together, you need to figure out how and why before you start on Chapter One.

 

Detours are OK

Contradiction time! While it’s crucial to know where you’re going, there’s absolutely nothing wrong with a detour along the way. Or even a new destination once your characters have started speaking to you. Make yourself a plan, but let yourself have room to manoeuvre within that plan.

 

Steal like an artist!

If you want to write romance, surround yourself with the genre. Watch TV, films, plays, and, of course, read as many romance novels as you can. With all of these media, enjoy them once to see if they speak to you, then absorb them again with a notepad and pen.

 

Enjoy yourself

Ultimately, writing anything – regardless of the genre – should be fun. You’ve got to love what you do and go easy on yourself. There will be days when it’s hard, when you want to throw in the towel, but as long as they’re fewer than the days you’re loving writing… keep on going.

How to Write Romantic Fiction (12-week online course)

Ready to get started? Explore the key components of writing romantic fiction, including characterisation, relationships, and worldbuilding, on our 12-week online tutored course.

This course covers…

  • The essence of romantic fiction – understanding the genre’s key elements.
  • Crafting compelling hooks – developing central dilemmas or goals to drive your story.
  • Characterisation & relationships – creating chemistry between unforgettable characters.
  • Writing love, heartbreak, and passion – capturing raw emotion on the page.
  • Style & emotional depth – using language to evoke powerful feelings.
  • Building suspense – keeping readers engaged, even with a ‘predictable’ ending.
Book now
How to Write Romantic Fiction NCW Academy Course

Owen’s recommended reads

How NOT to Write a Novel: 200 Mistakes to avoid at All Costs if You Ever Want to Get Published: Amazon.co.uk: Mittelmark, Howard, Newman, Sandra: ...How NOT to Write a Novel by Sandra Newman & Howard Mittelmark (Penguin)

If you like your writing guides to inspire a good belly laugh, visit your local library/bookshop for this one. The section on the Deafening Hug (detailing what happens when the wrong phrase suggests more than brotherly love) is a perfect example of why romance writers need to choose their words as carefully as everyone else. 

 

 

 

 

On Writing: A Memoir of the Craft: Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King: Amazon.co.uk: King, Stephen: 9781444723250: BooksOn Writing by Stephen King (Simon & Schuster)

You may wonder what a horror writer can teach you about romance, but this memoir/autobiography/teaching aid is the quintessential book for anyone who’s ever wanted to tell any kind of compelling story.

 

 

 

 

 

Owen Nicholls

Owen Nicholls is an author and screenwriter. His first two romantic fiction novels, Love, Unscripted and Perfect Timing were published by Hachette in the UK, Penguin Random House in the US and Harper Collins in Canada. He has a Masters in Screenwriting from the University of East Anglia and his screen work has been optioned for both TV and Film.

Owen has written for NME, EMPIRE and Total Film on the subjects of Film, TV and Music. He has contributed research and writing to several episodes of the History Daily Podcast. His work was selected by the National Centre for Writing for the Escalator New Writing Fellowships in 2017. He was invited back to be a mentor on the scheme in 2021. Owen lives in Norfolk with his wife and two children.

Owen Nicholls, who is the tutor of our romance novel writing workshop

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