Family and Caribbean folklore: Celeste Mohammed on Ever Since We Small

In this episode of The Writing Life Podcast, lawyer-turned-author Celeste Mohammed reflects on the role of family, mythology, and Caribbean folklore in her writing.

She sat down with her friend and fellow Trinidadian writer Ayanna Lloyd Banwo to discuss Ever Since We Small, a powerful novel-in-stories in which survival, resilience and self-discovery are passed down through generations of an Indo-Trinidadian family. Together, they explore her use of the short story form to create an intricately woven tapestry of stories, Caribbean folklore, and themes of belonging, resistance, and legacy.

Celeste has been a lawyer since 2001 but she has been telling stories all her life. A native of Trinidad and Tobago, in 2016, she graduated from Lesley University, Cambridge, Massachusetts, with an MFA in Creative Writing (Fiction). Her debut novel Pleasantview won the 2022 OCM Bocas Prize for Caribbean Literature. Ahead of its publication in the Caribbean and the UK, a story from her current novel-in-stories Ever Since We Small was shortlisted for the 2024 Commonwealth Short Story Prize.

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Edited by Omni Mix

Ever Since We Small

An intricately woven tapestry of stories where survival, resilience and self-discovery are passed down through generations of an Indo-Trinidadian family.

Celeste Mohammed’s second novel-in-stories, Ever Since We Small, is a family saga which covers a sweeping landscape from the days of the British Raj in India, to multicultural modern Trinidad. Written in a blend of Standard English and several flavours of Trinidad kriol, the book follows the bloodline of a young woman, Jayanti, after her decision to become a girmitiya, an indentured labourer in the Caribbean.

Jayanti’s grandson, Lall Gopaul, seeks to escape the rural village where he was born, but becomes seduced and corrupted by urban life. His son, Shiva, is forced to take a child-bride, Salma, but never recovers from the guilt. Heartache follows for their three children – Anand, Nadya and Abby – who must each find a way to accept and yet move past their parents’ failed example.

Along the journey of these ten interconnected stories, the alchemy necessary to turn the Gopauls’ inheritance of pain into a ‘generation of gold’ requires intervention by the living and dead, the ‘real’ and the mythical, the mundane and the magical, the secular and the sacred.

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