Writing From the Archives with Elizabeth Lewis Williams (six-week course)
Courses

Writing From the Archives with Elizabeth Lewis Williams (six-week course)

Calendar
Tuesday 13 October
Location
National Centre for Writing at Dragon Hall
Time
19.00 - 21.00
Price
£ 180.00 - (£160 conc)

Discover how to use archives to craft narratives in this six-week evening course led by writer Elizabeth Lewis Williams.

What is an archive? What might you find when you go looking? Do you have to be an expert to find your way around one?

In this six-week course, you’ll explore how different kinds of writing are informed by and respond to archives in a variety of ways. Whether you have a project you would like to develop and are seeking guidance on how to integrate archival research into your work, or would like to unlock inspiration for new writing, this course will provide you with the tools needed to progress confidently.

Through a combination of themed lessons, interactive exercises, and a final assignment with written feedback, you’ll expand your ideas on archives and how you can respond to them in writing, develop essential research skills, and learn how to structure your own narrative arcs.

 

This course will cover…
  • An introduction to what constitutes an archive, in theory and practice
  • An exploration of different kinds of archive: personal, specialist, sound and film, oral histories, and natural archives.
  • How to approach an archive, with or without particular research questions in mind
  • The development of research strategies which help you to make the most of your time
  • The importance of building a narrative, in poetry, fiction and non-fiction
  • How to think about including different voices in your work

For a full week-by-week breakdown, please scroll down.

 

The course runs at National Centre for Writing, Dragon Hall, 7-9pm, each Tuesday for six weeks.

By the end of this course you will have…

  • developed confidence as a writer in approaching archives and archive material
  • engaged with different archives, eg. The Wellcome Collection, Norfolk Records Office, British Library Sound Archive
  • practised some of the research skills required when working with a variety of different archive materials
  • learned how to shape a narrative arc
  • practised integrating archival research into your own writing
  • produced a standalone piece of writing from the archives, or have significantly developed a work of fiction or creative non-fiction currently in progress.

Course programme

Please note: the order of these lessons may be subject to change.

Week one – How do I approach an archive?

This first week will be an introduction, asking what constitutes an archive, and thinking about different kinds of archive. Do you know what you are looking for and how to find it? Does it matter if you don’t? We will address questions and practical considerations before you embark on archival research.

 

Week two – What is your story?

The focus this week is on building a narrative arc, whether within a single poem or across longer works of fiction and non-fiction. Do you have a sense of what story it is you want to tell? How do you construct a story out of disparate fragments? How do you position yourself in the telling? We will look at texts such as Ruth Padel’s ‘Darwin: A Life in Poems’, Dan Richards’ memoir ‘Mountain Days’, ‘There are Rivers in the Sky’ by Elif Shafak and ‘His Bloody Project’ by Graeme Macrae Burnet

 

Week three – How do you engage with archives and the resources within them?

Looking at two or three different online archives such as the British Library and the Wellcome Collection, you will take part in various exercises to help find material, take notes and organise ideas. You will also make short responses to writing prompts, and begin to plan your final assignment.

 

Week four – Archival voices

What are the voices we hear in the archives? As well as listening to short extracts from some oral histories, you will look at other kinds of voice found in the archives, and how they are expressed. Responding to material in film and sound archives, you will experiment with voice in your own writing.

 

Week five – Natural archives

There are also archives in the natural world: ice which holds a record of earth’s climate, rocks which tell the stories of wandering continents, trees which mark the passing of years. How do you write these archives? With reference to writers such as Elif Shafak and Nancy Campbell, you will consider how to answer this question.

 

Week six – How do you get all this material in order?

The focus of this week is the final assignment. This will draw together skills and ideas from previous weeks in the planning of your own piece of writing. This might be a short sequence of poems, a chapter from a book, or a self-contained piece. It will also be an opportunity to consider some of the ethical issues of using/quoting from archive material.

How it works

This course takes place over six weeks.

  • No more than 15 students per course to maximise interaction with your tutor and coursemates
  • Live classes led by an experienced tutor
  • Course materials and notes for each week will be accessible 24/7 during the course, and for one year after the end of the course.

We can offer payment by instalments to help spread the cost of your live evening course. For further information please email [email protected].

Email us

Elizabeth Lewis Williams

Elizabeth Lewis Williams is a Norwich-based poet and teacher. After many years spent teaching in schools, she completed an MA, followed by a PhD, in Creative Writing at the UEA. Her first book, Deception Island, was made into an immersive installation in a replica Antarctic hut, and her second, Erebus, was published in October 2022. She is currently working on a book of creative non-fiction on Antarctica, as well as several other Antarctic poetry projects. Her piece, ‘Arriving’ appears in Hinterland Issue 16.

 

Read Elizabeth’s five surprising ways to incorporate archival research in your writing →
Elizabeth Lewis Williams

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