Over the past decade, translators have become more visible than ever before. Increasingly, they are expected not only to translate books, but also to discover projects, build relationships with authors and publishers, pitch titles, and advocate for and promote their work. Yet unlike authors, translators rarely have access to professional representation. Could literary agents play a larger role in supporting translators? What would that look like in practice — and what might be lost?
Join translators Anton Hur and Sawad Hussain in conversation with Ecre Karadag for a deep-dive into representation and the many kinds of labour that surround literary translation.
This event will take place online. Please book in advance to receive a streaming link.
Part of Visible Communities, a programme offering a range of professional development opportunities to UK-based Black, Asian and Ethnically Diverse literary translators, and literary translators working from heritage, diaspora and community languages. Our international work is generously supported by the Hawthornden Foundation.
Meet the panel
Anton Hur is the author of Toward Eternity and the translator of Kim Choyeop’s If We Cannot Go at the Speed of Light, Bora Chung’s Cursed Bunny, Baek Sehee’s I Want to Die but I Want to Eat Tteokbokki, Lee Seong-bok’s That Summer’s End, Kyung-Sook Shin’s Violets, and others. He was double-longlisted and shortlisted for the International Booker Prize, a finalist for the National Book Award, and nominated for the Dublin Literary Award and the National Book Critics Circle Award. He resides in Seoul.
Sawad Hussain is an Arabic translator and litterateur with a particular passion for bringing narratives from Africa to a wider audience. Her work has been recognised by English PEN, the Anglo-Omani Society and the Saif Ghobash Banipal Prize for Arabic Literary Translation, among others. She has been a judge for, inter alia, the Palestine Book Awards and the 2023 National Translation Award, and has run translation workshops under the auspices of organisations as varied as Shadow Heroes, Africa Writes, Shubbak Festival, the Yiddish Book Center, the British Library and the National Centre for Writing. Her most recent translations include Bread on Uncle Milad’s Table (HarperVia) and Asad’s Secret (Levine Querido). A former co-chair of the Translators Association in the UK, Sawad has been the Translator in Residence at the British Centre for Literary Translation (2022), Wasafiri (2024-25) and Princeton University (2025). In a past life, she lectured at the IAIS at the University of Exeter, and taught Arabic (KS3 & KS4) in Johannesburg and Dubai. She lives in Cambridge in the United Kingdom, and her oeuvre can be further explored at www.sawadhussain.com.
Ecre Karadag is a literary translator working from Japanese. Her translations include Asako Yuzuki’s Mari the Unwonderful Witch (Penguin Random House Children’s UK), with further works forthcoming from Pushkin Press. Ecre holds an MA in Translation from SOAS, University of London, and an MA in Japanese Studies from Sophia University, Tokyo. While living in Tokyo, she was Head of Editorial and Rights at The COMM, a multilingual Japanese street-fashion magazine. She was mentored by Polly Barton through the National Centre for Writing’s Emerging Translator Mentorship programme and subsequently selected as an NCW Virtual Translator in Residence.
The Global Page
The Global Page is a unique series of online global conversations featuring internationally acclaimed and emerging writers and translators.
This online programme celebrates the art of writing in all its forms, connecting brilliant minds across styles, languages, and cultures.
Together, we explore and challenge the ideas and approaches shaping contemporary literature.
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