The Fundamentals of Fiction with Ian Nettleton (ten-week course)
Take those exciting first steps into fiction writing with this ten-week beginners course led by expert tutor, Ian Nettleton.
Embark on an exciting journey into fiction writing with this supportive and engaging ten-week beginners’ course, led by expert tutor and published author Ian Nettleton. It’s the perfect opportunity to build your confidence, develop new skills, and establish a regular writing routine.
Having successfully taught sold-out beginners’ fiction courses at NCW for several years, Ian combines group discussions with one-to-one feedback to provide you with the essential tools needed to understand storytelling and craft compelling fiction.
Course summary
This ten-week course explores the craft of short story writing, from its origins to modern techniques. It begins with understanding emotional impact and personal storytelling, followed by group readings and discussions on character development and Kurt Vonnegut’s writing rules. Participants will examine different points of view, world-building, and plot structure, then dive into editing and rewriting. Sessions on story layout and avoiding clichés will enhance technical skills, while later weeks focus on crafting satisfying endings. The course culminates in a general discussion and peer feedback, with participants reading their final stories to the group.
Timetable
The course takes place at National Centre for Writing, Dragon Hall, every Monday from 7–9pm for ten weeks. Breaks for school/public holidays to be confirmed.
I can’t fault Ian. He is so knowledgeable, a brilliant teacher, and a thoroughly nice man. Every class was engaging and I never lost interest even for a moment.
Course programme
Week one – Where do stories come from?
In the first session, we will look at the origins of the short story, from its early 19th century beginnings to the present day. Inspired by a tale from Australia, we will start to explore how writers use form to create powerful emotional responses. We will start to think about where stories come from, and reflect on our own childhood experiences in a writing exercise.
Week two – Creating a character
In small groups, we will begin with readings of our work from the previous week to build our confidence as writers. Then, we will start to discuss Kurt Vonnegut’s eight rules of writing, and explore ideas of how much (or little) you can reveal on the page. Looking at examples of effective characters in fiction, we will think about where characters come from and how to write engaging story arcs.
Week three – Point of View
The point of view we choose to write from affects the moral tone and bias of a piece of writing completely. Together, we will look at the strengths and limitations of each point of view, think about how they are used effectively in published fiction, and start to explore the intimacy of the first person versus the limited third person perspective.
Week four – Setting
Creating the world of your story is another means to engage your readers and reveal the interior life of your main characters. In this session, we will look at how research for fiction is integral to creating a world that feels real for your readers. Paying attention to small, distinct details, we will start to build our own worlds in a writing exercise.
Week five – Plotting
How does plot work? This week, we will look at the classic plotline and discuss how to draw a reader into a story from the beginning. We will explore the ways in which introducing a character to the plot affects the outcome, and think about what drives a story to its conclusion.
Week six – Editing, rewriting and workshopping
All writing is rewriting. This week we will begin workshopping, and we’ll be focussing on editing and rewriting your work. Together, we will start to look at how the raw material we create must be reworked to bring out the full potential of the story.
Week seven – Layout
This week we will start to discuss the importance of story layout. From indenting to attributing speech to the use of line breaks, we will experiment with different layouts to help us see how these affect our stories.
Week eight – Common errors and genre
We’ve all been there! In this session, we will start to look at common errors we’ve made along the way, and look at ways to avoid clichés so that our readers remain engaged. Ian will then introduce a writing exercise, focusing on genre.
Week nine – Endings
How we leave our characters is important and it can be hard to deliver a satisfying ending. This week, we will explore effective ways to end your stories, and how to leave your readers longing for more.
Week ten – Readings, feedback and questions
The last week will be a general discussion on prose writing, along with an overview of what we have covered throughout the course. It will also be an opportunity for each participant to read their short story to the group, and receive general feedback from their peers.
Ian has such a wide background and packs every minute of the course with information and advice. His attitude is encouraging and non-judgemental. He is the best tutor I have ever had.
How it works
This course takes place over ten weeks. The first five sessions focus on the essential elements of writing prose fiction, and each week there will be writing exercises during and between classes, as well as examples from published works to read and discuss. From week two everyone will get the chance to read out a piece of writing in a small group. The last five weeks give everyone the experience to workshop 500 words of prose. If you haven’t workshopped before, don’t worry – these sessions will be explained nearer the time.
- No more than 15 students per course to maximise interaction with your tutor and coursemates
- Live classes led by an experienced tutor, whether online or in person
- Classes include discussion and writing exercises, along with one workshopping session for each student, in which you’ll receive detailed feedback on your work
- Course materials and notes for each week will be accessible 24/7 during the course, and for one year after the end of the course.
We can offer payment by instalments to help spread the cost of your live evening course. For further information please email [email protected].
Ian Nettleton
Ian Nettleton has a doctorate in Creative & Critical Writing from UEA. His literary thriller Out of Nowhere won the Bath Novel Award 2023. He has been shortlisted for the Bridport Flash Fiction Prize 2019, the Edinburgh International Flash Fiction Award 2020, longlisted for the Winter Reflex Fiction Competition 2019 and longlisted for the Ellipsis Flash Fiction Collection Competition 2020.
Ian is an associate lecturer for undergraduate creative writing courses at the Open University, and also teaches on the Open University MA in Creative Writing.
Explore more from NCW Academy
Out of Time: Anachronism in Historical Fiction with Sarah Bower
In this informal workshop, novelist Sarah Bower invites you to explore how anachronism can elevate your storytelling.
Saturday 15 November
Writing Place and Setting in Crime Fiction with Elspeth Latimer
Step into the shadows with crime writer Elspeth Latimer in this immersive workshop focused on crafting a vivid and atmospheric sense of place and setting in your crime fiction.
Saturday 15 November
Who am I, Speaking in the Dark?: Voice in Poetry with Elizabeth Lewis Williams
Join poet Elizabeth Lewis Williams for an informal workshop where you will uncover new ways to make your poetry speak.
Saturday 15 November